3rd ANNUAL NAPOMO 30/30/30 :: DAY 14 :: DAVY KNITTLE on NATHANIEL MACKEY :: A POETICS of PLACING ESTRANGEMENT
[teaser] “A sign of estrangement, to poetize or sing is to risk irrelevance, to be haunted by poetry’s or music’s possible irrelevance (‘Tell it to the birds’), but nothing could be more relevant than estrangement…” - Nathaniel Mackey[/teaser] [line] I love about
3rd ANNUAL NAPOMO 30/30/30 :: DAY 13 :: ANDRE BAGOO on DEREK WALCOTT
Let me take you to the Derek Walcott poem most on my mind these days and then we will continue our conversation: [box] Midsummer, Tobago Broad sun-stoned beaches. White heat. A green river. A bridge, scorched yellow palms from the summer-sleeping house drowsing through August. Days I have held, days I
3rd ANNUAL NAPOMO 30/30/30 :: DAY 12 :: ROYCE VAVREK on KATHLEEN EDWARDS
[box]Editor's note: I am so pleased to have this particular crossover in this year's series - for it was largely via early attention to Vavrek's incredible and prolific output as a librettist for the new music community (see earlier entries
3rd ANNUAL NAPOMO 30/30/30 :: DAY 11 :: ELIZA BLUE on MARIE HOWE
It is a Saturday, and I am kneading bread in a little kitchen in rural South Dakota. I am a month away from getting kicked out by my boyfriend’s parents, who own the place, because he is leaving to start
3rd ANNUAL NAPOMO 30/30/30 :: DAY 10 :: CONOR MESSINGER on MICHAEL McCLURE
[textwrap_image align="right"]http://www.theoperatingsystem.org/wp-content/uploads/2014/04/photo1-1.jpg[/textwrap_image]Clive Barker’s Hellraiser comes to mind when I try to reexamine Michael McClure. The box, the film’s main plot element, establishes an alluring promise to the observer based on curiosity, the glow of technology, intrigue, craft, only to show
3rd ANNUAL NAPOMO 30/30/30 :: DAY 9 :: MAIGA MILBOURNE on NAZIM HIKMET (1902-1963)
[Editor's Note: Maiga Milbourne comes to us via our favorite model: the person to person relay-style hand off from former participants (in this case, frequent OS contributor, and all around badass inspirational mama Caits Meissner). I was overwhelmed with gratitude
3rd ANNUAL NAPOMO 30/30/30 :: DAY 8 :: TC TOLBERT on CYNTHIA SPENCER
[h4]There is no god here: Cynthia Spencer, will, speech[/h4] [box] Up the Rig cram righteous, craze lit thun-di-fer-ous lin-ger finnnnnnnnnn whap! surrounding lakes of cherrywood fish, un- rippled with salt, un-rivaled clarity of rough munching signal. fit. liable to riot a winter from yr wilting morass. yr filched
REMAIN COMPOSED :: KRISTINA WARREN :: FIELD NOTES :: PRODUCTION and GROOVE, P'ANSORI and POGPO (Part 1)
[box] For this special feature in our ongoing Field Notes series (where creators from all disciplines shine light behind the curtain at their daily practice — revealing the often messy, sometimes frustrating, surprisingly beautiful life along the way) the OS is excited to
3rd ANNUAL NAPOMO 30/30/30 :: DAY 7 :: SHIVANEE RAMLOCHAN on VAHNI CAPILDEO
[Editor's note: in July of 2012, we received a submission for our print magazine from Andre Bagoo, who introduced himself as "a poet and journalist working in Trinidad and Tobago." I loved his poems, and accepted one for the second
3rd ANNUAL NAPOMO 30/30/30 :: Day 6 :: DIA FELIX on PHILIP LAMANTIA
[Editor's note: It is total synchrony that sees this post going live the weekend Dia's is in NY, kicking off a multi-city tour with City Lights / Sister Spit to promote her new book on that imprint, Nochita. Missed her at the
