3rd ANNUAL NAPOMO 30/30/30 :: DAY 21 :: VAHNI CAPILDEO on NICHOLAS LAUGHLIN :: AT FULL ARIEL TILT
The writing looks hieroglyphic: all caps. The envelope opens to release a Persian lion; a dancing rabbit; an Ethiopian prayerbook half the size of a matchbox; or, again and again, a handmade quasi-business card with no name, nothing but a
3rd ANNUAL NAPOMO 30/30/30 :: DAY 20 :: Christina Rodriguez on Clarice Lispector, Agua Viva, and the Art of Breathlessness
It's a slow kind of love that builds as the pages are turning. When you read a book, you grow to love the story, the characters, and the author. If you are a writer, you might find a mentor and a
3rd ANNUAL NAPOMO 30/30/30 :: DAY 19 :: CASEY SCOTT LEACH ON BILLY COLLINS
The morning I noticed a Billy Collins poem on the subway train, a part of the Poetry In Motion series, I was overcome with joy. “Hell yes!” I thought to myself, “a poet I know and love!” It was white
3rd ANNUAL NAPOMO 30/30/30 :: DAY 17 :: SPARROW on PHILIP WHALEN
[line] I met Philip Whalen in 1976 at the Naropa Institute in Boulder, Colorado, where I was a student (22 years old). Philip co-taught a class with Allen Ginsberg called "Visiting Poetics." At that time Philip was a Zen monk, with a
3rd ANNUAL NAPOMO 30/30/30 :: DAY 16 :: LAUREL KALLEN on JACQUELINE OSHEROW
In Dead Men’s Praise, Jacqueline Osherow explores the world through her identity as a Jewish-American woman poet of the first post-Holocaust generation. The tensions that define and trouble this identity are apparent in Osherow’s exploration of how a simple trip through
3rd ANNUAL NAPOMO 30/30/30 :: DAY 14 :: DAVY KNITTLE on NATHANIEL MACKEY :: A POETICS of PLACING ESTRANGEMENT
[teaser] “A sign of estrangement, to poetize or sing is to risk irrelevance, to be haunted by poetry’s or music’s possible irrelevance (‘Tell it to the birds’), but nothing could be more relevant than estrangement…” - Nathaniel Mackey[/teaser] [line] I love about
3rd ANNUAL NAPOMO 30/30/30 :: DAY 11 :: ELIZA BLUE on MARIE HOWE
It is a Saturday, and I am kneading bread in a little kitchen in rural South Dakota. I am a month away from getting kicked out by my boyfriend’s parents, who own the place, because he is leaving to start
3rd ANNUAL NAPOMO 30/30/30 :: DAY 9 :: MAIGA MILBOURNE on NAZIM HIKMET (1902-1963)
[Editor's Note: Maiga Milbourne comes to us via our favorite model: the person to person relay-style hand off from former participants (in this case, frequent OS contributor, and all around badass inspirational mama Caits Meissner). I was overwhelmed with gratitude
3rd ANNUAL NAPOMO 30/30/30 :: DAY 8 :: TC TOLBERT on CYNTHIA SPENCER
[h4]There is no god here: Cynthia Spencer, will, speech[/h4] [box] Up the Rig cram righteous, craze lit thun-di-fer-ous lin-ger finnnnnnnnnn whap! surrounding lakes of cherrywood fish, un- rippled with salt, un-rivaled clarity of rough munching signal. fit. liable to riot a winter from yr wilting morass. yr filched
3rd ANNUAL NAPOMO 30/30/30 :: DAY 7 :: SHIVANEE RAMLOCHAN on VAHNI CAPILDEO
[Editor's note: in July of 2012, we received a submission for our print magazine from Andre Bagoo, who introduced himself as "a poet and journalist working in Trinidad and Tobago." I loved his poems, and accepted one for the second
