ART :: REFLECTIONS : COLLAGE AND (DE)CONSTRUCTION :: Caits Meissner in Workshop at the Brooklyn Museum
Caits Meissner, always inspiring poet-artist-educator-activist-friend, recently led a collage workshop at the Brooklyn Museum in coordination with the Mickalene Thomas exhibition, Origin of the Universe, [on view through January 20th, 2013]. Here she reflects on her experience as teaching artist in
FIELD NOTES :: CONSULTATIONS WITH THE BUREAU OF SELF-RECOGNITION, PT. 3 :: CHLOE BASS WITH DAVE THRASHER
Chlöe Bass writes: The following is a record of work between the Bureau of Self-Recognition and Dave Thrasher. Dave chose photography as the response medium for his work. Dave has been working with Exercise Two for far longer than his prescribed 30
COCO ONLINE :: 3RD ANNUAL HAIKU MONTH :: HALFWAY THERE
The haiku form stands in a precarious place in the contemporary world. Our collective mindset has adapted appreciation of shorter and shorter gratification cycles, which should benefit the haiku. However, the powerful rise of short form media (yes, twitter) has
FIELD NOTES :: MARTIN BYRNE, Part 3, Take 1 :: To and From San Francisco, or; In-between Indeterminate Inebriate Islands
Architect Martin Byrne returns with more environ-poetic process notes
ART :: OPENINGS PRESENTS :: FRENZY INTO FOLLY VIRTUAL GALLERY VI :: SANTELLA, VELLETRI, PAVLOU, KOHN
We've grown accustomed to having the incredible OPENINGS collective grace our friday edition
FIELD NOTES :: CONSULTATIONS WITH THE BUREAU OF SELF-RECOGNITION :: CHLOE BASS with DAVID ANDERSSON
"The Bureau of Self-Recognition is a performance and installation project designed to track the process of self-recognition and its myriad outcomes. Through individual exercises, spatial investigations, video and audio recording, lectures, and experiential performance, the Bureau brings together the clinical
ART :: GEORGIA ELROD : HERE AND HERE :: Now at John Davis Gallery in Hudson, NY
The paintings and drawings of Georgia Elrod invite poetry -- or perhaps they are poetry? -- in so far as in transmuting experience into visual form, they perform the inverse maneuver: asking more questions even as they answer the ancient riddle,
ART :: Allison Malinsky and the Places of Memory :: RETORNO
Introduce yourself
FIELD NOTES: WHAT WE ECHO::Perpetual Creation—Collaborative Momentum
This week Danny and I passed the three month mark of our journey across the United States. Three months in, the goal still centers on journeying outside of our selves. That task complicates itself at every turn, but the motion
FIELD NOTES : Jacob Perkins :: From the Cannery, Part 6 : Return of a Fast Food Drifter
On top of the Olympic Range I am skating over snowfields and looking through something I'd only impair to describe as 'fabric' at night. Deep nostalgic chest throbs: the mushroom chocolates were a good choice. There was supposed to be
